.... simply guides the actor to ask the simple question: "What would I do if I were in my character position?" By asking this question of himself the actor can personalize the given circumstances of the character. The situation of the character becomes more personal, and the stakes much higher, because the actor has divulged some particular issues of himself into the character. Due to these particularities the actor will work out the given circumstance of the character in a much more truthful manner. Even in acting the old saying goes: "You cannot really know someone until you walk a mile in their shoes." This concept of The Magi .....

.... symbol of blood now changes to show a theme of treachery and treason. Lady Macbeth starts this off when she asks the spirits to "make thick my blood,". What she is saying by this, is that she wants to make herself insensitive and remorseless for the deeds which she is about to commit. Lady Macbeth knows that the evidence of blood is a treacherous symbol, and knows it will deflect the guilt from her and Macbeth to the servants when she says "smear the sleepy grooms with blood.", and "If he do bleed, I'll gild the faces of the grooms withal, for it must seem their guilt." When Banquo states "and question this most bloody piece .....

.... know the truth about someone, a situation or ourselves? In "Much Ado About Nothing", everyone is pretentious. Don Pedro deceives Hero by acting the part of an honest friend, concerned for his brother and Claudio's honour. Leonato and his family act as if Hero were dead, encouraged to this deception by, of all people, the Friar who feels that deception may be the way to get at truth and all the main characters in the plot pretend to Benedick and Beatrice so convincingly that they reverse their normal attitudes to each other. In scene I.1 Don Pedro offers to play Claudio and win Hero for him. But, this plan is overheard, and .....

.... of his becoming a man. Athena also rescued Odysseus from certain death at the hands of Poseidon Earthshaker and brought him to the island of Phaiacia. "Now it was the turn of Athenaia the daughter of Zeus, and this was her plan. She tied up the courses of all the other winds, and commanded them to rest and be quiet; but she sent a steady wind from the north and broke down the waves in front of Odysseus, that he might make his way and save himself alive." (Homer 70) At this point in the novel Posiedon is enraged with Odysseus because he is about to make it home. It seems every time that Odysseus is about to make it home, Poseid .....

.... be listened to."(I, i ,44), while speaking of Tartuffe. Although they share this trait throughout the play, Orgon's eyes are finally opened at the end of the play while his mother is still held by the farce of Tartuffe. Although Tartuffe is portrayed as the main character of the play, Orgon is the character who should really be paid attention to the most. As suggested in an essay on "Tartuffe" audiences who concentrate on the character who titles the work may miss the author's point: "…vitriol and spleen vented on one man suggests that Moliere's satire of Orgon, nevermind Tartuffe, was steeped in truth." (Smaje). Orgon is t .....

.... at Capulets party yet fate leads him to meet Juliet. He wants the outside power that rules his life to "steerage [his] course and direct [his] sail" (Act 1, Scene 5, Pg. 403) for he thinks that fate will lead him in the right direction. The vision Romeo sees in his dream "that his lady found him dead" (Act IV, Scene I, Pg. 463) foreshadows that fate brings Romeo to his death. Likewise, Juliet's life and her relationships are predetermined by fate. Juliet goes to the party to meet Paris yet fate brings Romeo and Juliet together on first sight which intensifies the deadly conflict between the Montague's and the Capulets. Finding .....

.... the use of light imagery. He declares: "It is the east, and Juliet is the sun. Arise, fair sun, and kill the envious moon … Her vestal livery is but sick and green" Romeo connects the pale moonlight with sickness and grief and says that only fools have anything to do with it. Here Romeo refers to how foolishly he fell in love with Rosaline. He could also be referring to the court jesters. In those days Elizabethan court jesters wore a chequered costume of pale and green which is why he said "none but fools do wear it." Romeo's comparison of Juliet to the sun provides an understanding to his state of mind. Previously when .....

.... reveal and share with Viola in her true female self, but rather his secret self, as he believes he shares with a peer. So, she grows to love him. But, Orsino's motivation is actually not love for Viola, but rather he seems to be in love with love itself. His entire world is filled with love but he knows that there might be a turning point for him, like when he says: If music be the food of love, play on; give me excess of it, that, surfeiting, the appetite may sicken, and so die. 1. (I,I,I-III) This quote shows that he knows that he is so caught up in "love", that he hopes his appetite for love may simmer whe .....

.... songs and Prospero's charms as well as the "sweet airs" of the island itself. Being non-human, Caliban, Ariel and the spirits require elaborate costume to make them appear so, and the court party members are decked in their finest court apparel, having just been at Claribel's wedding, so that Miranda is taken aback by the "brave new world / That hath such creatures in't" on seeing them. The elements of pastoral comedy in The Tempest are also linked to those of the masque. A natural man, Caliban, exists. So do a pair of noble young lovers, Ferdinand and Miranda, who are brought together in the pastoral setting of an island, unaff .....

.... "love from the first sight" between Claudio and Hero, and laughs at Beatrice's scorns and attitude towards Benedick. However, as the plot develops, these relationships develop too. Although they change, there is one thing that remains constant - the contrast between these relationships. "Love may grow soft or even rotten (Claudio's "rotten orange" at the altar is more nearly a description of himself at the moment than it is of Hero), or, at the other extreme, it may harden into a shell of pride," writes Harold Goddard in The Meaning of Shakespeare. The characters fall into the extremes of possible love relationships. I .....