.... to find freedom in knowing that their lives are less empty and without direction. It may seem that we can hardly relate the televangelist audience of the 20th Century to poetic views on Christianity of the 18th Century, but surprisingly, there lies many similarities between the two.. Both Anne Bradstreet and Phyllis Wheatley appeal to Christianity after their own personal tragedies. These women, like the many viewers who watch Church-TV everyday, have lost everything and are left with nothing. In an attempt to fill the void in their lives, left by Bradstreet’s burnt house and Wheatley’s treatment as a slave, they .....

.... to her. I then enter, jumping onto the coffin with him and tell him of how he could never love her as much as I did. I then leave, after getting a 'load' off my chest. Horatio, still with me, listens as I tell him all the details of my trip to England, and back. I tell of rewriting the letters and being taken captive by the pirates. Then, Osric enters and after much speaking, informs of the request to a dual with Laertes. Then, when I am asked to come, I go to the dual. Laertes thinks I will lose, but I assure him that I have been working on my swordsmanship for some time. When I arrive, most of the royal people are there. I ask La .....

.... the “…veil of sleep had lifted and the uncertainty of reason replaced the assuredness of emotion,” Morowitz begins to question the validity of the past movie star’s accusations (2). After taking time to ponder her barrage against sugar that had him all fired up in emotion, Morowitz contemplates where this actress “had acquired such self-righteous certainty about biochemical and nutritional matters that have eluded my colleagues for years” (2). Morowitz again implies a cynical tone in stating, “ Perhaps all this messy experimental work…is not the shortest road to the truth at all, and we of the dirty white lab c .....

.... the beginning of A Tale of Two Cities aloud with all the emotions of her spoken words, the only way Marguerite can respond is with a, "Yes Ma'am" (164). This shows that she is confused. Short phrases in response to long, heart filled elegies display one's confusion and awe-struck nature. Language, in terms of both the spoken and written word, has the power to awaken emotions in readers and listeners. For instance, Marguerite mentions that often her mother would refer to Mrs. Flowers with familiar terms such as "sister" (161) in a way that made her want to hide her face in shame. This is an indication t .....

.... union until it, towards the end of the book due to heavy rainfall, turns into an uncivilized town again before it´s destroyed in a heavy storm. The cycle of the town starts and ends on the same point just as the development of the family and all actions, they all turn in cycles just as Ùrsula thanks to her old age found out. The way in which the story is written, with magic realism and the story evolving both forwards and sideways is one of the more unusual characteristics when, as a european, reading the book. The story gives the impression of moving sideways as the same incidents are retold from the view of different persons .....

.... anger and emptiness because he has not kept his promise to the girl. In a story such as "Araby;" by James Joyce, theme, plot, setting, and characterization can be perceived in several different ways according to each reader. The critics Deer and Deer, Litz, Atherton, and Stone have all read and evaluated this story and have all come up with completely different opinions concerning the young boy in "Araby." Deer and Deer's critique on "Araby" points out the romantic angle that the author uses to portray the young boy's character. These critics seem not to like or understand the point of the story. They show how unreali .....

.... with nicer hair and a fuller figure." She Fahning -2-speaks of the fire that burned and scarred Maggie. She tells us how Maggie is not bright, how she shuffles when she walks. Comparing her with Dee whose feet vwere always neat-looking, as if God himself had shaped them." We also learn of Dee's "style" and the way she awes the other girls at school with it. The mother in I Stand Here Ironing speaks of Susan, "quick and articulate and assured, everything in appearance and manner Emily was not." Emily "thin and dark and foreign-looking at a time when every little girl was supposed to look or thought she should look a chubby blon .....

.... was overcome by her. The main goal of the sumptuous nude blonde dancing was to embarrass and humiliate the young Negroes. The excitement and natural feeling of arousal was the primary goal of the influential white men. These men wanted to see Negroes lust after a beautiful white woman and to let them know that in no way will a Negro ever be allowed to have a white woman. At least that is what they thought. In my opinion the important white men were nothing more than pigs. They enjoyed watching a woman degrade herself by dancing around these young men and taunting them to the point of arousal. These men must be pretty dam .....

.... stranger on board as himself…at that moment I felt it most acutely" (28). The Captain still feels strangely about taking control of the ship, but he feels an impulsive connection with Leggatt. While Leggatt is close at his side, the Captain begins to think clearly and prepares a scheme to keep his secret sharer safe. "Such was my scheme for keeping my second self invisible. Nothing better could be contrived under the circumstances" (35). The Captain begins to think clearly and has no doubts about his actions, even while the surrounding conditions are unfavorable for him. When Captain Archbold, of the Sephora, steps onto the .....

.... through changes as they adjust to their new world, and become different people because of it. In example to this, Jack seems like a strong willed character at the start of the book, but the other boys never would have imagined he would turn into a cold blooded killer. Therefore, they must learn to take care of themselves for they can not depend on Jack or any of the older boys, to be there for each and every one of them. It is proven that each boy has this responsibility in the following quote; “Merridew turned to Ralph. ‘Aren’t there any grown-ups?’ ‘No.’ Merridew sat down on a trunk and looked round the circle. � .....