Often the most meaningful and revealing statement in a text tends to be its final statement, either concluding the entire story or simply closing the narrative. The same can be said of a film’s final image, which can leave the audience suspicious of the film’s ending, questioning whether the story has come to a complete conclusion or if the narrative has paused for a while, leaving room for a sequel. I plan to examine the parting sentence of two texts, Emily Bronte’s Wuthering Heights and Robert Louis Stevenson’s The ....