Marsha Norman’s ‘night, Mother illustrates a central point about the nature of what creates drama in a play: the anticipation of an outcome. In this case, that means that Mama, and the story's audience, learns early on of Jessie's plans. And because of learning Jessie's plans, both Mama and the story's audience are thrust deep into the heart of this story's question: Will Jessie really kill herself, or can Mama find a way to stop her? What's at stake in this story is also made very clear: Jessie's going to kill herself. Can Mama talk her o ....