.... dusts the tabletop, and sets the coffee on the stove. The portrait of her miserable life contrasts sharply with that of her lover. While she struggles with the endless monotony of house chores, he loafs around, carefree and relaxed. During her monotonous morning routine, the man flippantly goes "out for cigarettes." Although he too notices the problems in the house, he satisfies himself with merely complaining. Rather than taking action and tuning the piano, the man merely "declare[s] it out of tune, [and] shrug[s]" indifferently. The woman does not even control her home's furnishings. The food and painting are both re .....

.... I look he's nowhere to be found Now I wonder what's to become of me The future is uncertain and clouded People tell me that I soon will see That my eyes will no longer be shrouded In my youth I was my own guide But now i'm an adult along for the ride .....

.... chopping: "one of them put me off my aim". This statement, along with many others, seems to focus on "me" or "my", indicating the apparrent selfishness and arrogance of the narrator: "The blows that a life of self-control/Spares to strike for the common good/That day, giving a loose to my soul,/I spent on the unimportant wood." The narrator refers to releasing his suppressed anger not upon evils that threaten "the common good", but upon the "unimportant wood". The appparent arrogance of the narrator is revealed as well by his reference to himself as a Herculean figure standing not alongside nature, but over it: "The grip on eart .....

.... by night” (Arnold, 830-831). Matthew Arnold gives his views on life, love and the world. He explains that the world is similar to a land of dreams, and that it is something beautiful and peaceful, but in actuality, Arnold says that it is not. Arnold states that we are like the waves that crash and hit the shore, struggling and fighting for our place on this earth. He says that love is the cure for all of the struggling and fighting that takes place on earth. Love is the only thing that he can rely on right now, even though his love is not in his life. Love is Arnold's way of escaping the harsh realities in life. He .....

.... the reign of the greatest king on earth.One immediate image is found in the second line, "trunkless legs.". One good comparison may be when the author equates the passions of the statue's frown, sneer, and wrinkled lip to the "lifeless things" remaining in the "desart." Another is when Shelley compares the "Works" of with "Nothing beside remains." shows the reader that two things will mark the earth forever. First: the awesome power of mother nature is constant, everlasting and subject to no human works. Second: a mans actions are kept in the hearts of those he touches for eternity. Nature's commanding presence in the poem is .....

.... also to the meaning of the poem. Another constraint of the sonnet is the length of the lines themselves. In a sonnet, the rythem is always iambic pentameter, which means that there must always be ten syllables per line, with each second syllable being stressed. Where the author breaks this pattern, it must obviously be for a good reason, when the author wants a certain word or syllable to be stressed. This in itself will naturally add tot he meaning of the poem. This, in addition, to the constraints of the number of lines, again causes the poem to have to be compressed, clarifying the poem's meaning, and thereby enhance i .....

.... and yet of great value or beauty on the interior. An example of this is the toad that when kissed by the princess was turned into a prince. In order for the real identity of this amphibian to be realized, one must to get past the outer shell. In keeping with this explanation Larkin can also be seen as saying that work at first appear as a hideous and burdensome beast and yet after careful inspection and acceptance its true beauty is shown. Thus one sees the first toad and views its composition as a combination of two interpretations. A second item to note is the use of the verb "squat"(2) as the word to carry the a .....

.... and him himself metaphorically being the blackbird. He makes this connection even more clear in the fourth stanza when he says that “A man and a woman Are one. A man and a woman and a blackbird are one." In the sixth stanza he goes back to being the poet observer as he watches the blackbird fly by his icy window. Again in the next stanza he goes back to the point of view of the blackbird wondering why the men of Haddam only imagine golden birds instead of realizing the value of the common blackbird. At this time, he makes the connection that in seeing and knowing the blackbird it becomes a part of himself. When he says .....

.... Say, the plums were eaten already by the persona. It was not offered to the persona during that time. It was not supposed to be eaten at that instant. The sexual relation in this poem was not obviously stated. It would seem that the poem was just stating a situation in which the persona ate cold, delicious plums placed in an icebox that were not supposed to be eaten because it was probably for breakfast. There was no warmth mentioned in the poem, only the how the plums were so cold. Going deeper, the two poems are essentially different in the willingness of the woman participating in the sexual act. In Alicante, the woman is a .....

.... him. The troops hear him and begin to come barreling around the bend only to hear the dying soldier murmur his last screams. In "Dulce," the regiment are tired and marching like "old hags" because they are fatigued. As the enemy discovers them they attack by dropping a gas bomb on the men. As they scatter for their masks one man doesn't quite make it. He goes through an agonizing process of dying. Like the soldier in Rosenberg's poem his cries out for his troops, his friends, to help him. To no avail does he get any help and the whole squad is forced watching his excruciating process of death. In both of these poems deat .....