.... ant and almost unreal. Using metaphors, Shapiro portrays the fantasy-like auto wreck in which wildness is indispensable. In addition to Shapiro's use of metaphorical phrases, he emphasizes the lack of comprehension of the on-lookers as a result of death's inconsistency with logic. Shapiro directly tells the reader, "We are deranged." The word "we" symbolizes u s, as a whole institution or better yet -- society. He goes on further to say, "Our throats were tight as tourniquets." By this he means that the on-lookers were stopped, almost speechless, as they gazed upon the wreckage contemplating the reason b ehind death .....

.... his love while promising her garlands and wool for weaving. Many material goods are offered by the speaker to the woman he loves in hopes of receiving her love in return. He also utilizes the power of speech to attempt to gain the will of his love. In contrast, the poem "Song" is set in what is indicative of a twentieth century depression, with an urban backdrop that is characteristically unromantic. The speaker "handle(s) dainties on the docks" (5) , showing that his work likely consists of moving crates as a dock worker. He extends his affection through the emphasis of his love and how it has endured and survived all hardsh .....

.... a much more universal theme that is isolation. The persona ponders at the fact why man can not live without walls, boundaries, limits and particularly self-limitations. “There where it is/ We do not need a wall”. Isolation of the individual links to our desire for barriers and boundaries as a form of separation from other people. We find in “Mending Wall” the desire of a rural farmer to mend a wall every spring between him and the persona “And set the wall between us as we go”. The persona in this poem interrogates his neighbour as to the necessity of the wall “What I was walling in or walling out” thus quest .....

.... is to those that do not have it. In the second stanza it seems she speaks of what she was thinking as she touched the “Curious Wine” “’Twas this on Tables I had seen” tells of how she had seen wealth often, so her hunger was not for the unknown but the inexperienced. “Windows” tells of how she knew the wealth. She saw it but never touched it, she viewed it but never got an inch closer then she was the day before. It wasn’t just the fact that she saw the wealth from the “Windows” but that there was a vast amount of it, shown with the usage of the word “Wealth” which can mean vastness. This seeing of it had m .....

.... for the poet's difficult life. The poet and the tumbleweed are stuck in a painful, difficult situation. They are prisoners of their surroundings, helpless. “Like a riddled prisoner.” The words riddled prisoner are used to give us a powerful, painful, picture of the lost and hopeless feeling of the poet. He feels great pain at his situation, feels that there is no way out. He is hanging there on the fence, exposed for everyone to see. In the second stanza, the poet continues to use metaphors for his life. “ Half the sharp seeds have fallen from this tumbler, knocked out for good by head- stands and pratfalls between her .....

.... manner of my friend I was struck with an incoherence -- an inconsistency...habitual trepidancy, and excessive nervous agitation...His action was alternately vivacious and sullen. His voice varied rapidly from a tremulous indecision...to that...of the lost drunkard, or the irreclaimable eater of opium" (667). These are "the features of the mental disorder of [the narrator's] friend" (672). Roderick's state worsens throughout the story. He becomes increasingly restless and unstable, especially after the burial of his sister. He is not able to sleep and claims that he hears noises. All in all, he is an unbalanced man trying to main .....

.... his introduction of each age B. Others support Malin's theories by drawing from past, present, and potential future experiences C. The ages 1. The first age a. Malin asks the reader to "Behold the infant" b. Child is "helpless in cradle and / Righteous still" but already has a "Dread in his dreams" 2. The second age a. Youth, as Malin describes it b. Age at which man realizes "his life-bet with a lying self" c. Naive belief in self and place in life is boundless d. It is the age of belief in the possibility of a .....

.... and shoulders/is the only liquid for miles"(9-10), "my mouth splits into dry lips"(12). With the death of her boy she is willing to sacrifice her own need of any quenching of her lips. She is "thirsting for the wetness of his blood"(14) but it is more important to resist the temptation, "trying to make power out of hatred and destruction"(18). The power displayed in the third section of Lordes Power is that of hatred. A policeman has "shot down a 10-year-old in Queens"(21). This he justifies by saying "I didn’t notice the size or nothing else/only the color"(26-27). This officer has taken the power entrusted into him by t .....

.... which hangs like a fruit. This image makes it a metaphor to give the whole poem an effect. The authors intention is to make people understand exactly what is going on. He also tries to make us feel guilty as we are the murderers because we are white. The poem 'Telephone conversation' is staged by a black man who is looking for a flat but ends up phoning to a landlady who is racist but tries to be polite in finding out whether he is he is a dark or light one. When he first speaks to her he feels awkward as he feels he has to confess that he is African. Also I think he feels as though he has been in the sam .....

.... line of the Bible intimately, quoted from it extensively, and referred to it many more times than she referred to any other work... yet in this regard she was not unusual by Amherst's standards” (72). The most prominent figure of religious virtues in her life was her father, Edward Dickinson. Reading the Bible to his children and speaking in town of religious ethics were daily events in his life. At home, he tried to raise his children in the rigorous religion of their ancestors, however his methods appeared quite harsh. People who knew the Dickinsons referred to Edward as a “severe, latter- day Puritan, a power-minded ty .....